
Milan Design Week has become a showcase for eye‑catching installations and a growing focus on low‑impact products, as exhibitors across Salone del Mobile and the surrounding Fuorisalone events present materials that aim to reduce waste.
New sustainable offerings highlighted at the show
Among the most discussed displays is the Spanish studio Kriskadecor, celebrating its 100‑year anniversary with recyclable aluminium mesh curtains. The two profiles, Kriska and Snina, appear in a range of finishes, and the metallic fabric is promoted for its small ecological footprint.
Arper introduced the Aom collection, an indoor‑outdoor line built from just two components: a lightweight polypropylene (EPP) frame and a recyclable polyester elastomer called Breathair. By eliminating polyurethane padding, the design simplifies recycling. The collection is accompanied by a lounge chair from Doshi Levien named Cari, intended for full disassembly at end of life, and an expanded Catifa (RE) 46 series that now includes upholstered versions made from 100 percent recyclable plastic.
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Kohler’s Flamingo Estate Bathhouse, situated in the Padiglione d’Arte Contemporanea, features a freestanding cast‑iron bath made from 80 percent recycled material and a copper‑toned exterior surrounded by wildflowers. The installation includes four pollinator baths designed to support birds, bees and butterflies, highlighting a link between design and biodiversity.
Booth design and the paradox of waste
Even as product sustainability rises, the trade‑show environment itself can generate considerable waste. Brands such as Knoll have begun reusing metal grid structures for their booths, and Miele plans to rebuild its modular display in the United States rather than constructing a new one each year. Fisher & Paykel, representing New Zealand, repurposed native Tōtara wood in its showroom.
The sheer volume of free merchandise—tote bags, promotional items and even edible pop‑rocks from Spanish furniture maker Sancal—means attendees often leave with more swag than they can carry, and the discarded items add to the landfill challenge. A publicist from a leading furniture firm noted that sustainability remains a priority for buyers, and designers at the event agreed.
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Designers will keep integrating recyclable components.
While the enthusiasm for greener materials is evident, the broader impact depends on how consistently companies can apply these practices beyond the show floor. If the momentum seen at Milan Design Week translates into routine manufacturing decisions, the cumulative effect could be meaningful; if not, the spectacle may remain an isolated showcase.
